's score for 's is a delicate, pretty set of repetitive themes. Indeed, for a , it is amazingly consistent in terms of tone, continually employing swelling strings and slowly played piano figures in what sounds more like music for an air freshener commercial than a drama. sings two songs at the end, neither of them heard as a vocal selection in the actual film. One is the old and standard and the other is the newly written with music by and lyrics by in their mode. Both songs are typically well sung, but the oldie is the better tune. ~ William Ruhlmann