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Barnes and Noble

The Salesman and the Shark

Current price: $29.99
The Salesman and the Shark
The Salesman and the Shark

Barnes and Noble

The Salesman and the Shark

Current price: $29.99

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Singer and songwriter is possessed of a truly singular voice. On , his debut in 2011, it seemed to rumble straight up from the depths of the earth to shake the listener's ground. Though the stark guitar and voice production were a bit rigid, 's songs, even when a tad clumsy, carried within them a singular vision of the natural world and an experiential poetry that was easily communicated to listeners through that powerful voice. stands in contrast to its predecessor. Produced by , is backed by a band on most tracks, as well as various backing singers (who include and ), and an occasional string section ( ). The supporting cast is warranted; 's grown immensely as a writer. His melodies are tighter, his lyrics and cadences sharper. Likewise, that voice, which seemed already perfect, is even more disciplined and expressive. Opener "Bring Back the Night" is a waltz ushered in by a halting electric guitar, a skeletal piano, and a simple bassline. gets through the first verse about broken love then delivers the killer couplet the tune turns on: "The jungle has built its own plans/And I was born obsolete, though I'm not an innocent man...." His voice digs inside those words as if they were from his marrow. A backing chorus joins him, sliding in from the margins and carrying it to the heavens as a prayer. On "Elsewhere," the band shimmers in the backdrop; they give his vocals free rein on top, bringing the tune's simple melody and weighty lyrics to the listener like a shot. duets on "The Wall," introduced by the strings with restrained dissonance. They create a sense off quiet drama before calms them as he begins to relate a broken love song; plaintively answers him from the other side of the divide. "Horses" is one of two rock songs here with its driving organic percussion, hyperactive strings, and kinetic acoustic guitars. The other is "Downwind," which successfully employs surf music to further its ends. In terms of production there are a few songs here that rely too much on ("Joe's Cult") and ("The Lonely Maze"). That said, they don't feel like missteps because actually possesses the chops to deliver the songs, which are strong regardless. is head and shoulders above the work of most of 's peers, and he possesses a strong identity as a songwriter, even if he doesn't feel confident completely relying on it yet. ~ Thom Jurek

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