This insightful and engaging new title in the series explores the various connections between theatre and Islam. Drawing on both historical and recent examples to trace their relationship and offer a new perspective on a topical subject, this persuasive text argues against a long-standing assumption that Islam has worked in opposition to theatrical presentation. From the 13th century puppet plays of Ibn Daniyal to Islamic themes in 21st century productions, is chronologically wide-ranging and ambitious in its scope. Ambitious yet concise, this is the perfect introduction for undergraduate and postgraduate students of religious studies, Islamic studies, Middle Eastern studies and drama.