has, in the framework of abstract music, been a stalwart, spontaneous composer whose personal sound is near impossible to identify, or certainly codify. A listener who enjoys very challenged music would have difficulty in discerning what is made up or written out. The elusive nature of 's kind of progressive jazz has to confound even those most oriented to his quirky pieces. Where the quintet lands in this quirky quandary of pegging a signature sound is subject to guesswork, but it definitely has its own brand of concentrated cohesion. Between 's scattershot flute and alto sax, the sleek tuba or trombone work of , and 's thorny electric guitar, sparks are always flying about in a collective discourse that is completely unpredictable. Electric bass guitarist and drummer are practically secondary in this mix of give-and-take improvisation that needs little rhythmic support or urgency. What seems telepathic or in zig-zag patterns is bursting with colors to the point where those lines are blurred with the virtuosity of these players. Then again, most of the tracks do have a funky underpinning anchored by and that lends a more contemporary, updated feel to the proceedings. has always used contradictions as a foundation for his music, and that is something his fans should expect at this juncture. His flute playing is exceptional as featured on the first half of this session, traipsing along in cat-like fashion for the intriguing film noir-shaded or the funkier, heavy water experiment take hefty respective solos on these tracks, alleviating of any heavy leadership burden, but is more a collective jam, as 's chunky tuba gets the ball rolling for 's spatial guitar, the in-late flute, and a diffuse melody that cannot be pinned down. With the other three selections featuring 's atmospheric and wooden alto, you hear more gothic tones, still funky but intangible within 's color palette during A driving free bop pattern anchors at the outset, but bursts in all directions at once like fireworks, while staggers short phrases like bursts of dimmed light. A most unique combination of musicians that collectively sounds like no other modern jazz ensemble, 's must be heard to be appreciated, especially live, as the studio does not do the band justice. This CD is identified as a first volume, and though clocking in at a brief total time of under 40 minutes, it must mean there's more in store. ~ Michael G. Nastos