It's encouraging that nearly four decades into one of the most impressive careers in indie rock, are still finding new ways of doing things. On 2018's , the band upended their usual process of writing material and then re-creating it in the studio by setting up recording gear in their rehearsal space and capturing their music in a freer and more spontaneous manner. For that album, handed the tracks over to (of and ) for mixing, but 2023's sees them cutting out the last middleman in their process -- this time, the band mixed the tracks themselves, and for the first time they've made an album with essentially no outside input. have been doing what they do long enough that they know and trust their process, and doesn't seem radically different from their work of the last 10 or 15 years. That said, this music feels warmer and more emotionally satisfying than anything have given us since 2009's . Many of these tracks grew out of jams, and the notion of "first thought, best thought" clearly works for this group (which may give us cause to reassess the conventional wisdom about the phrase "jam band"). The cool, languid beauty of "Miles Away," the easy but implacable groove of "Sinatra Drive Breakdown," the bittersweet yearning of "Aselestine," the easygoing self-depreciation of "Apology Letter," and the clouds of noise in the title cut each beautifully represent one of the many sides of 's sonic personality, and the work sounds at once confident and engaged with the possibilities of chance. never sounds sloppy even as this music is happening in the moment, and the interplay between 's skronky guitar, 's rock-solid bass, and 's imaginative drumming (as well as their use of occasional electronic washes) remains a marvel, a familiar formula that produces fresh, intriguing results. was created in a time of strife and uncertainty for a great many people, and sometimes it sounded like it. doesn't pretend all is roses again, but it finds a lot more room for joy and engaging with your muse. If the world is still stupid outside of 's headquarters, inside they're making worthy art to share with us, and we can all be grateful for that. ~ Mark Deming