Given the vitally important place the blues holds in the history of black culture, it's surprising (and perhaps a bit disappointing) that so many contemporary blues artists don't deal with more political and social issues in their songs. But is not one of those performers, and her 2020 album, , finds her singing about America's racial and cultural divide with heart, soul, and compassion. isn't carrying a placard for any particular party on , but she isn't shy about speaking her mind about economic inequality ("Money Makes You Ugly"), the casual racism of urban life ("Walk Before I Ride"), America's obsession with firearms ("Apple Pie and a .45"), prejudice in its many forms ("Give God the Blues"), and the growing failure of opposite sides to simply listen to one another (the title cut), while "Clotilda's on Fire" offers a valuable history lesson about the last slave ship to reach the United States. Not everything on carries a message, but sings with strength and clarity on every track, and she can wail with churchy fervor or sound sly and slinky at will. delivers music strong enough to support 's vocal fervor; guitarist produced the album, and he's given the material a tough, no-frills sound with just the right amount of grit, as well as bringing in some first-rate guest stars including , , and , as well as bluegrass heroes and for the acoustic title tune. sings hard on , but with a sense of control and a fearless desire to be heard, and she never overdoes it even at her most urgent -- her force is all the more effective for its precision. And somewhere, the late is tipping his hat to for her witty and sincere tribute "Dirty Saint." is one of the best singers in contemporary blues, not just for her voice but for her courage to use it to say something about American culture, and shows good times and a social conscience can co-exist on the same LP. ~ Mark Deming