Being half of allows to do what she does best as a film star: act utterly adorable alongside a quiet, talented male character. Her co-star in this case is , who produces the band's second album and frames 's voice with a -sized pile of instruments. Whether they're copping the Brill Building sound or tackling '70s beach-pop, the two always have nostalgia on the mind. These 13 tracks seem to hail from an imaginary, sepia-toned world in which is king and Ron Burgundy is on the tube, and even a handful of contemporary references ("Talking on the phone and watching /He doesn't know what kind of guy he is") do little to transport the listener back to the 21st century. Like the previous album, might suffer under the weight of its own pastiche if it weren't so darn endearing, filled as it is with call-and-response vocals, studio reverb, sweeping orchestrations, and other bygone tricks of the trade. is still finding her footing as a vocalist, but she smartly plays to her strengths, with a hint of vibrato coloring her best performances. "Love like ours is terrible news, but that won't stop me crying over you," she sings at the end of her voice fading out into 's sweeping Wall of Sound. This has all been done before, perhaps, but that's the whole point, and ends up being a tuneful tribute to the group's influences. ~ Andrew Leahey