With the narrative pull of a novel and the vibrancy of a play, this collection offers a thrilling portrait of a Suffolk village in the throes of the witchcraft hunts of the mid-17th century. The poems in this collection are dark spells, compact, and moving, delivered by those most closely involved in the “making” of a witch. The speakers—from priest Thomas Love and the villagers, who slowly succumb to suspicion and counter-accusation, to the witch hunter Francis Hurst and the “witch” herself—authentically conjure a war-torn society in which religious paranoia amplifies local grievances to fever pitch.